The Midwest Premiere
THE HOUSE THAT WILL NOT STAND
June 10 – July 10, 2016
by Ensemble Playwright Marcus Gardley
directed by Artistic Director Chay Yew
Inspired by Federico García Lorca’s THE HOUSE OF BERNARDA ALBA
In early 1800s New Orleans, a time when free women of color entered into common-law marriages with rich white men, Beartrice has become one of the city’s wealthiest women. After the mysterious death of her husband, the life Beartrice has built for herself and three daughters threatens to collapse as the household turns on each other in their fight for survival. Told through music, dance, and poetry THE HOUSE THAT WILL NOT STAND by Marcus Gardley and directed by Chay Yew is a bewitching new drama filled with desire, jealousy, murder, and voodoo.
For sold out performances of THE HOUSE THAT WILL NOT STAND a wait list will be started one hour before each performance. We will begin filling seats off of the wait list 15 minutes prior to curtain. Wait list tickets cost $35.
|Marcus Gardley (Playwright)
Marcus Gardley is a poet-playwright who is the current recipient of the 2015 Glickman Award. He was the 2013 James Baldwin Fellow and the 2011 PEN Laura Pels award winner for Mid-Career Playwright. The New Yorker describes Gardley as “the heir to Garcia Lorca, Pirandello and Tennessee Williams.” His play The House That Will Not Stand was commissioned and produced by Berkeley Rep and has had subsequent productions at Yale Rep and the Tricycle Theater in London. He is an ensemble member playwright at Victory Gardens Theater where his play The Gospel of Lovingkindness was produced in March and where he won the 2015 BTAA award for best play. In 2014, his saga The Road Weeps, the Well Runs Dry about the migration of Black Seminoles (a tribe of African American and First Nations People) from Florida to Oklahoma had a national tour. He has had several productions, some of which include: Every Tongue Confesses at Arena Stage starring Phylicia Rashad, and On The Levee which premiered in 2010 at Lincoln Center Theater 3. He is the recipient of the 2011 Aetna New Voice Fellowship at Hartford Stage, the Hellen Merrill Award, a Kellsering Honor and the Gerbode Emerging Playwright Award. He holds an MFA in Playwriting from the Yale Drama School and is a member of The Dramatists Guild. Gardley is a professor of Theater and Performance Studies at Brown University.
|Chay Yew (Director)
Chay is the Artistic Director at Victory Gardens Theater. Chay joined Victory Gardens in July 2011. For Victory Gardens, he has directed Death and the Maiden, An Issue of Blood, The Gospel of Lovingkindness, Mojada, Oedipus el Rey, and Universes’ Ameriville. His other Chicago credits include Dartmoor Prison and Bl
|Linda Bright Clay (La Veuve)
Victory Gardens Theater: Dame Lorraine. Chicago: Joe Turner’s Come and Gone (Goodman Theatre); Home, Having Our Say (Chicago Theatre Co); The Project(s) (American Theater Company). Regional: Having Our Say, Permanent Collection (Madison Rep). Film/TV commerical work: Seven Psychopaths, Halfway, Just Married, Hell Ain’t Full, Flickering Blue, Blue Cross Blue Shield, Fifth Third Bank, U.S. Post Office, McDonald’s, Ace Hardware.
|Diana Coates (Agnès Albans)
Chicago: A Winter’s Tale (First Folio); Titus Andronicus, Julius Caesar (Babes w Blades); Commons of Pensacola (Northlight Theatre); A Midsummer Night’s Dream (Piccolo); Much Ado About Nothing(Rasaka); Bedroom Farce (Eclipse); True Story (Lifeline). Regional: Blues for An Alabama Sky (ACTCo.); Harlem 9/11 (Arc Theatre). Film/TV: Game Day, “Chicago Fire.”
|Aneisa Hicks (Odette Albans)
Chicago: The Old Friends (Raven Theatre); They Keep Talking About Me (Black Ensemble Theatre).
|Angela Alise (Maude Lynn Albans)
Chicago: Far From Heaven (Porchlight Music Theatre); Saturday Night/Sunday Morning (Prologue Theatre @ Steppenwolf Garage Theater); The Good Book (Court Theatre); Hairspray(Drury Lane Oakbrook); Heaven How I Got Here, Christmas Miracle of Jonathan Toomey (Provision Theater); Miraculous Journey of Edward Tulane, Mr. Chickee’s Funny Money (Chicago Children’s Theatre); Church (Red Tape Theatre); Parade (Boho Theatre); Love and Human Remains (Cor Theatre); Coming Home (Erasing the Distance); Rent (Ouroboros/Big Noise Theatre); The Magical Treehouse, Fancy Nancy (Broadway Playhouse/Emerald City). Artistic Director of Prologue Theatre. Film/TV: Starbabies, “The Dreamers.”
|Lizan Mitchell (Beartrice Albans)
Victory Gardens Theater: An Issue of Blood. Broadway: Electra, Having Our Say, So long on Lonely Street. Off-Broadway: Cell, Rosmersholm, for colored girls… (25th Anniversary), Gum, Salt, Ma Rose. Recently, New York: Dead and Breathing, The First Noel. Regional: CATF, Berkeley Repertory, Yale Repertory, Cincinnati Playhouse, Hangar Theatre, Pittsburgh Public Theatre, Crossroads Theatre, McCarter Theatre, Baltimore Center Stage, Hartford TheaterWorks, Indiana Repertory, Syracuse Stage, Woolly Mammoth Theatre, Arizona Theatre Company, Goodman Theatre, Humana Festival, Alliance Theatre, Everyman Theatre, Center Stage Theatre, Crossroads Theatre, Philadelphia Drama Guild, San Jose Repertory, Indianapolis Repertory Theatre. Film/TV: After Life, The Final Patient, The Human Stain, Brother to Brother, The Preacher’s Wife, “Unbreakable Kimmy Schmidt,” “Deadbeat,” “We’ll Never Have Paris,” “Golden Boy,” “Muhammad Ali’s Greatest Fight,” “The Good Wife,” “Law & Order: Criminal Intent,” “As the World Turns,” “John Adams,” “One Life to Live,” “Law & Order,” “Third Watch,” “Guiding Light,” “Having Our Say,” “Sesame Street.” Awards: Black Theater Alliance Award, Helen Hayes Award and the Audelco Award for Best Actress, as well as numerous awards for audiobook narration. She is a founding member of Quick Silver Theater Company, producers of the Playwrights of Color Summit in Geneva, NY in June of this year.
|Penelope Walker (Marie-Josephine)
Victory Gardens Theater: No One As Nasty, Ignition Festival. Chicago: A Christmas Carol, The Story, Crowns, Matchmaker (US), Gem Of The Ocean (US) (Goodman Theatre); Love & Information (Remy Bumppo); The Project(s), Agnes Of God, Doubt, People’s Temple (American Theatre Company); Will You Stand Up (Erasing The Distance); Black Diamond… (Lookingglass Theatre); Love Lies Bleeding(Steppenwolf); 10 Virgins, Voyeurs de Venus (Chicago Dramatists); Eclipsed, Gees Bend, Bee Luther Hatchee (Northlight Theatre); The Clink (Rivendell Theatre Ensemble). Film/TV: Severed Ties, Flowers
|Jacqueline Williams (Makeda)
Victory Gardens Theater: The Gospel Of Lovingkindness, Waiting To Be Invited, Colored Museum, Shoes. Chicago: Gem of the Ocean, The Good Book, Caroline or Change, Fences, upcoming Man In The Ring (Court Theatre); Stop.Reset, Pullman Porter Blues, Camino Real, Trinity River Plays, Blue For An Alabama Sky, Amen Corner (Goodman Theatre); Airline Highway, Head of Passes, Hot L Baltimore, Brother Sister Plays, No Place Like Home (Steppenwolf); Gee’s Bend, The Miser (Northlight Theatre); Yellowman, Fabulation (Next); Maya’s Last Poem (as Maya Angelou), Going to St. Ives, Having Our Say (Fleetwood-Jourdain). National tours: Crowns, Born In the RSA (Market Theatre of Johannesburg). Broadway: Young Man From Atlanta. Off-Broadway: From The Mississippi Delta (co-produced by Oprah Winfrey), Mill Fire, Talented Tenth. Regional: La Jolla, ACT Seattle, Berkeley Rep, Arena Stage, Hartford Stage, Huntington Playhouse, Asolo Rep, Portland Stage Co. Film/TV: Heartlock, The Break Up, The Lake House, Hardball, “Turks,” “Chicago PD,” “Chicago Fire,” “Empire,” “Chicago Code,” “Prison Break.” Awards/Nominations: Jeff, Helen Hayes, BTAA, Lunt-Fontanne (Shakespeare) Fellow, 3Arts, American Arts Council, Drama Desk, Sarah Siddons, Excellence in the Arts, After Dark, others.
Set Design: Yu Shibigaki
Costume Design: Izumi Inaba
Lighting Design: Paul Whitaker
Sound Design: Chris Kriz
Props Master: Mealah Hiendrich
Assistant Props Master: Rachel Baker
Assistant Director: Chika Ike
Choreographer: Breon Arzell
Dramaturg: Issac Gomez
Production Stage Manager: Tina M. Jach
Assistant Stage Manager: Natalia Zak
Production Manager: Scott Miller
Technical Director: Kevin Douglass Jr.
Master Electrician: Tom Albright
Public Programs is an event series designed to enhance your experience by exploring themes and issues in Victory Gardens’ plays. Connecting our theater to the world beyond the stage and rehearsal room, Public Programs bridge ideas, provoke dialogue, and deepen the relationship between our audiences and our productions.
After every performance of THE HOUSE THAT WILL NOT STAND (unless otherwise noted)
June 2 | Thursday | 7:00 p.m.
June 14 | Tuesday | 7:30 p.m.
June 19 | Sunday | 3:00 p.m.
June 22 | Wednesday | 7:30 p.m.
Post-Show Panel Conversation
June 30 | Thursday | 6:30 p.m.
July 1 | Friday | 7:30 p.m.
Post-Show Panel Conversation
July 5 | Tuesday | 6:30 p.m.
Pre-Show Celebration | Post-Show Panel Conversation
July 6 | Wednesday | 6:30 p.m.
Free Post-Show Performance
July 7 | Thursday | 7:30 p.m.
Off-night Town Hall and Celebration
July 8 | Friday | 6:30 p.m.
Pre-Show Celebration | Post-Show Panel Conversation
July 10 | Sunday | 2:30 p.m.
Pre-Show Celebration | Post-Show Second Line Parade
“POWERFUL. REMARKABLE. EXCEPTIONALLY WELL-ACTED.”
Not just a tasty collection of bons mots.
It is a serious inquiry into the
politics of race [and] gender.”
–Time Out Chicago
“It is rare to find such a BOLD VISION, staged with FEARLESSNESS
and insight by such a TALENTED ENSEMBLE.”
–Chicago Stage Standard
“A SUMMER MUST SEE.
Dances with lyric and prose while dissecting history.”
“HEART, POWER and FEEL GOOD ENERGY
that reverberates throughout the entire theater.”
“20 HOT SHOWS TO SEE THIS SUMMER”
“17 CHICAGO THEATER SHOWS TO SEE IN JUNE”
–Time Out Chicago
Chicago Magazine’s: Inside Chicago’s Best Theater
Watch Lizan Mitchell Perform a Scene From The House That Will Not Stand
CLICK HERE to see more photos from the show
CLICK HERE to see more photos from First Rehearsal
“One of the most important pieces of theatre
I have seen in recent memory.”
-Samantha Sieghart-Hollywood, Facebook
“I highly recommend you see this incredible play, best of the year.”
-Janet Lampert Rhines, Facebook
“Breathtaking night of #chicagotheatre @VictoryGardens
GO see it. Renewed my love for #theatre“
“A PHENOMENAL show. A beautiful mix of history, comedy,
social issues, and family. I couldn’t recommend it more.”
-Jonathan Nunez, Facebook
“Chicago, run to The House That Will Not Stand.
Historically enlightening yet contemporary resonant about race. Superb.“
-Diane Elson Miller, Facebook
One of the best shows I’ve seen in Chicago.
It’s absolutely brilliant, poignant, and real. 10/10“
-Jason Marnocha, Facebook
“Best thing on stage right now in Chicago is @VictoryGardens – go see #TheHouseThatWillNotStand”
“Exciting, engaging performance.
Telling all our friends it was worth the trip to Chicago!”
-Rick Clark, Facebook
“Such an incredible show!
Congratulations to all involved!”
-Katherine Quin, Facebook
“Chicago, you must go see this show.”
-Kevin Long, Facebook
“Bravo!!!! A must see!”
-Pam Santoro Capitanini, Facebook
“An amazing piece.”
-Arya Daire, Facebook
“See this show!!!!”
-Semaj Miller, Facebook
-Valeria A. Avina, Facebook