Keelay Gipson is an Activist, Professor, and award-winning Playwright based in New York and hailing from Tulsa, OK. His plays include demons. (JAG Fest/Dartmouth HOP Center), The Red and the Black (Finalist; The O’Neill, Sundance Theatre Lab), #NewSlaves (Finalist; Princess Grace, The O’Neill, Seven Devils), imagine sisyphus happy (Finalist; The O’Neill, P73 Summer Residency), CRH, or the placenta play (Semi- Finalist; The O’Neill, Bay Area Playwrights Conference, AADA Main Stage Live!), Nigger/Faggot (Downtown Urban Theater Festival), The Lost Or, How to Just B (Kernodle New Play Award), What I Tell You in the Dark (Finalist; Premiere Stages at Kean University), and Mary/Stuart, a dramatic queering of Friedrich Schiller’s classic play (BAM Next Wave Festival, partnership with Wendy’s Subway and Lambda Literary). He is the recipient of a Barrington Stage Spark Grant, the NYSAF Founders’ Award, the Van Lier Fellowship at New Dramatists, as well as writing fellowships with Lambda Literary, The Amoralists, Page 73 and the Dramatist Guild Foundation. He has held residencies at the MacDowell Colony, the Cultural Affairs Department of the City of New York, the Administration of Children’s Services of the City of New York, New York Stage and Film’s Powerhouse Season at Vassar College and Yale University. His work has been developed at The Bushwick Starr, Wild Project, HERE Arts Center, Pace University, West Connecticut University, National Black Theater, Rattlestick Playwrights’ Theater, The Fire This Time Festival, Classical Theater of Harlem, and New York Theatre Workshop. He is published in The Best American Short Plays anthology by Applause Theatre and Cinema Books and 48 Hours in Harlem, Vol. 3 by Harlem9. He has taught workshops, courses and masterclasses at NYU, Pace University, Rutgers University, Fordham, and the Kennedy Center American College Theater Festival.
Keelay and fellow playwright’s ensemble member Stacey Rose developed the “Requirements for BIPOC Artists” survey to hold theatres accountable.