Directors Inclusion Initiative
This initiative, started in the 2015/16 season, aims to encourage and develop talented and emerging Chicago stage directors identifying as people of color, disabled, women, transgender and gender non-conforming. We’re continuing our commitment to cultivate a new generation of diverse stage directors who create dynamic theater work from their unique points of view.
“We are pleased to welcome five emerging directors into our Victory Gardens Theater family. As a theater that is committed to new plays, diversity, and inclusion, we are excited to invest in and nurture these artists,” comments Chay Yew, Artistic Director. “Over the course of this season, these directors will not only assistant direct a main stage production, but also be mentored by the artistic staff and receive institutional support and resources. I look forward to working with each of them throughout the season.”
Meet Our Five Emerging Directors:
Kaiser Zaki Ahmed was born in Bangladesh, raised in Michigan and has been working in Chicago Theater since 2004. After graduating from Columbia College Chicago with a B.A. in Theatre Directing, Kaiser went on to found the Jackalope Theatre Co. in 2008, serving as Artistic Director until 2012 and is currently Associate Artistic Director. Directing credits include The Raid, The Killing of Michael X, Long Way Go Down, Slaughter City, Last Exodus of American Men (Jackalope Theatre), The Late Henry Moss, House of Yes (Artistic Home Theatre), Washer/Dryer and the upcoming Vanya (Rasaka Theatre). Kaiser is also an Artistic Associate at The Artistic Home Theatre and a 2015-16 Eugene O’Neill National Directors Fellowship Finalist. Kaiser also believes acting makes him a better director; he can be seen on various stages, proudly represented by Gray Talent.
Arianna Soloway is a director and dramaturg from Chicago. She graduated from Columbia College Chicago in 2013 with a BFA in directing for theater. She recently directed Carrie & Francine with Haven Theatre Company and Guardians at Mary Arrchie Theatre as well as short plays for Bechdel Fest at Broken Nose Theatre, Paragon Play Festival at Otherworld Theatre Company, and Ripped: The Living Newspaper Festival at American Blues Theater. She assistant directed Red Handed Otter at A Red Orchid Theatre, A Small Fire at Steep Theatre and Seminar at Haven Theatre Company. Dramaturgy credits include Once in A Lifetime at Strawdog Theatre and Yankee Tavern at American Blues Theatre where she also served as Outreach Manager from 2013-2015. When not doing theater, Arianna works as a real estate agent and enjoys playing guitar and ukulele, knitting, and DIY projects.
Charlotte Drover is a Chicago-based freelance director and choreographer, specializing in physical work. She moved to Chicago in 2013 to intern for Lookingglass Theatre’s education department, after graduating with a BA in Theatre from Drew University. She now works with Lookingglass as a teaching artist. Charlotte has assisted directors at Collaboraction, Something Marvelous, the Hypocrites, and the Goodman. In 2014, Charlotte adapted and directed an original adaptation of The Pit and The Pendulum for the Chicago Mammals, said by the Chicago Reader to “get under your skin in a terrifying and sensory-addling way.” This past year, she choreographed for Profiles’ last production Jerusalem, attended Director’s Lab Toronto, and directed the original piece The After, written by Samantha Dedian for Collaboraction’s final Sketchbook Festival. Charlotte Drover is currently Associate Director for Tara Branham on Jackalope Theatre’s octagon, and will be directing Venus in Fur for Circle Theatre in 2017.
Ameenah Kaplan is a graduate of the Academy of Art University Film School. She attended New York University’s Tisch School of the Arts for Acting. She will be directing The Royale by Marco Ramirez (Daredevil) at Seattle’s ACT this summer. She most recently directed Molodi: Up Close And Personal starring Las Vegas’ premiere body percussion troupe at the Hard Rock Hotel & Casino. Her most recent short, Man With a Movie Camera premiered at Hollyshorts Film Festival in 2014. She directed the short film The American Failure to multiple festivals and awards. She directed the multi-award nominated show: Bash’d: A Rap Opera. She also recently directed Black Sheep & Other People’s Organs in Noah Wylie’s Young Playwright’s Festival. She was in the original cast of Stomp and serves as a drum coach for Blueman Group. Choreography credits include: Dancing With The Stars (ABC); The Brother’s Size, In the Red & Brown Water (Fountain Theatre), The Women of Brewster Place, Altar Boyz, Title of Show (Celebration Theatre); The Royale (CTG); Frosty the Snow Manilow, A Christmas Carol King, Santa Claus is Coming to Motown, The Comedy of Aerosmith, Jackson Frost, Alice in One Hit Wonderland II, It’s a Stevie Wonderful Life (Troubadour Theatre Co). Awards and honors: 2007 NAACP Award: Best Choreography; 2007 LA Weekly Award: Best Fight Choreography. 2007 Richard E. Sherwood Award for Emerging Director. 2009 LA Weekly Award: Best Choreography, Altar Boyz, 2010 NAACP Award: Best Choreography, The Women of Brewster Place; 2013 Ovation Award: Best Choreography, The Royale; 2012 LA Weekly Queen Of Angels Award.
Alyssa Vera Ramos is a director, actor, and theatre maker, and a founding member of women of color performance collective FEMelanin. Directing credits include LIVELY STONES (20% Theatre Company); the 6th Annual 1-Minute Play Festival; I AM THE RAT (The Scarlet ‘S’ Project’; Artist-in-Residence at Free Street Theater); OUT OF SILENCE (Chicago Home Theater Festival); THE BARRIO PROJECT (Center Theatre); CAN I HIT IT? and PROJECT US (FYI); THE NAKED PEOPLE PLAY (20%’s Snapshots Festival); GENERATION SEX (Teatro Luna at Chicago Fringe); and THE LIBERATION OF CARMELA LOPEZ (Northwestern University). Alyssa teaches creative sexual health at the Illinois Caucus for Adolescent Health (ICAH) with the FYI Performance Company, where she also collaboratively devises participatory theatre experiences. Upcoming Director-Developer projects include plays about the forced sterilization of Puerto Rican women (with her novelist mother Marisel Vera) and about replacing stigma with support of preganant and parenting youth (with FYI). Alyssa holds a Bachelor’s Degree in Theatre from Northwestern University. www.alyssaveraramos.com